The Great Escape of Leslie Magnafuzz

by Radio Moscow

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StrangeFlow I love the jam-character the songs have, while being catchy and (as their other albums) full of energy and raw guitar riffs and sounds and effects. An interesting mixture between old and modern rock approaches and also a unique band sound as such. Favorite track: Don't Need Nobody.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Magical Dirt, Brain Cycles, Radio Moscow, The Great Escape of Leslie Magnafuzz, Live! In California, and 3 & 3 Quarters. , and , .

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	1.	Little Eyes 04:45
	2.	No Time 03:46
	3.	Speed freak 03:13
	4.	Creepin' 03:28
	5.	Turtleback Rider 04:18
	6.	Densaflorativa 03:30
	7.	Don't Need Nobody 04:54
	8.	Summer of 1942 02:58
	9.	Misleading Me 03:53
	10.	Inside Out 05:12
	11.	Deep Down Below 05:06
	12.	Open Your Eyes 05:18

credits

released May 1, 2019

Lovingly concoct a Cream/Hendrix inspired album of cosmic blues. – EVENING TELEGRAPH UK

The Great Escape Of Leslie Magnafuzz shows that the US trio have perfected their ‘psychedelic blues meet stoner rock’ style. – TOTAL GUITAR UK

Reproducing the sound and the atmosphere of an early 70s, pot-addled psych rock jam band is a hell of a lot harder than it first appears, but creative dynamo Parker Griggs – who plays everything here apart from the bass guitar – is clearly some kind of wicked genius, because songs like Little Eyes, Speed Freak and the wonderfully skewed Insideout sound like they have been spoon-fed tie-dyed hash fudge and then beamed forward in time, perfectly formed and thoroughly convincing. – Dom Lawson / METAL HAMMER

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Radio Moscow San Diego, California

Since the release of its debut album in 2007 (produced by Dan Auerbach), Radio Moscow has brought its unique brand of high- energy psychedelic/blues to rock n'roll people all over the world. Lead by guitarist/singer/songwriter Parker Griggs, the band has toured with acts such as Graveyard, Witchcraft, Earth, Joe Bonamassa, Pentagram, Sheepdogs, Nebula, and Kylesa, to name just a few. ... more

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